
Swiss-born photographer Robert Frank is one of the most influential photographers of the mid-20th century; he was noted for ironic renderings of American life.

Frank became a professional industrial photographer at the age of 22 and in the 1940s became a successful fashion photographer for Harper’s Bazaar magazine in Paris. He felt, however, that the scope of the work was too limited. He abandoned fashion photography about 1948 and went to the United States and then to Peru to explore the expressive possibilities of the 35-mm camera.
After photographing in Europe in 1950 and 1953, Frank returned to the United States. There in 1955 and 1956 he made a series of photographs ultimately published as The Americans (1959), a photographic book which showed a different America than the wholesome, nonconfrontational photo essays offered in some popular magazines.
Frank’s subjects weren’t necessarily living the American dream of the 1950s: They were factory workers in Detroit, transvestites in New York, black passengers on a segregated trolley in New Orleans.